Little Richards Influence on Rock N Roll History Essay Example for Free

Little Richards Influence on Rock N Roll History EssayRock and roll harmony emerged as a part of American teen culture during the notably conservative time period in the countrys news report which shortly followed the traumatic events of World War II. Being that the genres target audience was vacuous teenagers, many Americans- already overwhelmed and on-edge due to the anti-communist movement inspired by the Cold War- were apprehensive about the ascertain that this up-and-coming style of music might have on their countrys future.Americas youth openly accepted rock and rolls racially integrated culture of movers and embraced the relatively lewd nature of many poems and performances associated with the genre, much to the dismay of their elders. Richard Wayne Penniman (better known by his stage name, Little Richard) had an historic influence on the history of rock and roll music because of his unconventional stage strawman and obvious sexuality. Artists such as Little Ric hard aggressively vigored the envelope, defied social norms and generated controversy.Richard, along with a few fellow pioneers, helped to restrict rock and roll in its early years, and paved the way for rock and rollers of future generations. Pennimans consummation left an everlasting impression on the musical genre and culture that is rock and roll. Considering the time in Americas history during which Little Richard appeared on the rock and roll scene, it is completely appropriate to belongings much of his fame and influence to his unconventional stage presence.The rising popularity of television during the 1950s fundamentally transmuted the music assiduity by presenting artists with an entirely new way to market themselves (or be marketed). Being televised meant that the overall look and presence of an artist played a more crucial role in stimulating audiences the focus of listeners was no longer solely the sound of the music being produced. Prior to T. V. , music yellow ish browns were only able to applaud the sounds of their favorite artist by way of radio and the purchasing of records.In many cases, this meant that if a fan had never seen a stick up performance or record-jacket photo of a particular artist, its executable that they had never seen said artist at all and possessed only a general topic (if any) of what that artist looked like. As television sets became an increasingly popular household item for middle-class American families, live performances assumed a new importance for per formers of rock n roll music, and individual artists and vocal roups want to cultivate visual characteristics or mannerisms that would set them apart from some others and encourage listeners to remember them but no performer in the early years of rock n roll was as visually flamboyant as Little Richard, (Schloss, Starr, and skimmer 1-75). A fans perception of an artist or group became loose to their opinion of the overall image of the performance.At thi s point in time, listening to the music of a completely respectable, clean cut, well dressed African-American was still considered inappropriate by a sizeable dowry of white American society- particularly those living in the South and those beyond their teenage years. Many of these great deal were hesitant to accept racial integration, and tended to proceed cautiously when (or, more appropriately, if) they chose to do so.These are the same slew that were unrightfully, but understandably, so frightened by performers like Little Richard. In severalize to differentiate himself from other rockers of the time, Richard usually wore heavy make-up and sported his famous pompadour hair style. As a former drag queen, Richard was fully aware of the type of reaction his look would draw from audiences its the reaction he hoped to receive.Though, at the time, society as a whole was unsure of how to react to the statement his image made, the equivocalness of Little Richards sexual identity pav ed the way for the image of performers such as David Bowie, Elton John, and Prince, (Schloss, Starr, and Waterman 1-75). Just in case his eccentric outward appearance was not enough to gain the disfavour of parents across the nation, Little Richard put on an absolutely wild stage performance which included spectacular eye rolling and his simultaneous hip gyrating and flaccid playing.In order to dance and play piano at the same time, Little Richard stood (not sat) in front of the instrument- yet another feature of his performance that was circumstantial to him. Little Richard aimed to gain the attention of his fans by creating an entirely original and exciting performance act. In order to do so, Richard created an image that was totally outside of societys definition of normal, respectable, and safe. His image was only half of his act, though.Its unlikely that there were many respectable white, American parents around in the 1950s that were comfy with the melodic theme of Little Richard having any type of influence over the generation deemed the future of their country, much slight over their specific children. If there had been anyone left straddling that fence, however, contemplating just how harmful a 24-year-old performer with a roughened haircut and face full of make up could really be, it would be safe to assume that they had never in reality heard the man sing.The lewd, scandalous lyrics that completed Little Richards unorthodox self-presentation would have provided the final push that landed the aforementioned fence straddler on the opposite side of Richards performance, and confirmed the popular idea that rocks musical characteristics indicated a general decline in American taste, (Schloss, Starr, and Waterman 1-75). date teenagers danced to the sounds of the modified twelve-bar blues accompanying Richards shouting vocal style and countertenor whoops, parents instinctively cringed in disapproval of the blatantly suggestive lyrics.Hit songs by Little Richard such as Tutti-Frutti, (Penniman, 1955) and Long magniloquent Sally, (Penniman, 1956) contained lyrics that were generally non-specific, but overall relatively sexual for the time. Richards scandalous appearance, behavior, and song lyrics embodied a sexual tenseness that managed to both intrigue teenage audiences, and inspire fellow performers. It is this same sexual tension that made society at large not only generally uncomfortable, but also implicated about what other ludicrous notions rock and roll would try to impose upon American culture in the future.Little Richard used rock and roll as a platform to rattle the cages of the music industry, and change societys concept of what was acceptable, what was normal, and most of all what was popular. It was Richards unique image and abrasive song content that simultaneously intrigued and shocked American society in the early 1950s. American teenagers of this time appreciated the power of Little Richards performance and embraced Little Richard as the new spirit of rock and roll.Unfortunately, in 1957 Richard denounced his work and joined the churchclosing his most creative period, (Oxford University Press). Although the momentum of his influence eventually slowed, it never preferably stopped. Rock and roll performers such as Jerry Lee Lewis, the Beatles, and the American Creedence Clearwater Revival all provide examples of music inspired by the work of Little Richard, proving the power of his influence and solidifying the lasting impression that he left on rock and roll.